Thursday, 30 March 2017

ELEVEN PICTURES: The George Hotel

The George was one of the country's most famous and successful coaching inns, and the most important in Sussex, because of its location halfway between the capital city, London, and the fashionable seaside resort of Brighton. Cited as "Crawley's most celebrated building", it has Grade II* listed status.


It is known that a building called the George has existed on the site since the 16th century or earlier, and many sources date the core of the existing inn to 1615. The George Hotel has three principal sections, facing east and running from south to north parallel with Crawley High Street. Nothing of the exterior is original, except perhaps for parts of the tiled roof. The present structure is made up of disparate parts of various dates: the inn expanded to take in adjacent buildings as its success grew in the 18th and 19th centuries.



The inn has been associated with royalty, bareknuckle prizefighting, smuggling among other things, and has been the subject of novels and paintings. It was central to the plot of Sir Arthur Conan Doyle's mystery novel Rodney Stone, written in 1896. The hotel is also reputedly haunted by the ghost of a nightwatchman, Mark Hurston (or Hewton) and other curious figures.


The first mention of The George appears in 1579, when landowner Richard Covert died and passed on an area of land (a tenement) to his son. This necessitated a payment to the Lord of the manor. The tenement bore the name of The George, and was situated in a valuable position: in the centre of Crawley, on the west side of the High Street (and just inside the parish of Ifield, a nearby village; the boundary between Ifield and Crawley parishes ran along the middle of the High Street). The building on the land was almost certainly an inn at that time, and many sources assert that its oldest parts date from about 1450. Its centre section, an open hall-house of a type common in the area, may be even older, possibly late 14th century.


An early remodelling came in 1615, when a timber-framed extension was built on the south side, a new jettied cross-wing was added at the front and a stone fireplace was installed. This bears the date 1615 (although this may have been carved later), and has carvings and arches. Meanwhile, a gallows was erected outside the hotel, partly spanning the High Street; one end was attached to the top floor of the building.


Bareknuckle prizefighting was a major local attraction from which The George benefited: nearby Crawley Down and Copthorne were "the most renowned battlefields in the south of England", and The George itself became "the hub of the pugilistic universe". Tens of thousands of people of all classes—including members of the Royal Family (such as the Prince Regent), statesmen and famous playwrights—would visit Crawley Down or Copthorne Common to watch and bet on extremely violent contests which could last for hours; the George was invariably used as the base from which to visit these illegal bouts. Other famous visitors of this era included Lord Nelson—whose sister lived in the nearby village of Handcross, Queen Victoria, who on one occasion was stranded overnight when her carriage broke down, and the Prince Regent, whose patronage of Brighton and regular travelling of the London–Brighton road indirectly brought about the upturn in fortunes experienced by Crawley in general, and the George Hotel in particular, during the 18th century. In this era, it was one of Britain's best-known and most important coaching inns, and it held "the premier position" among Sussex's many such establishments.


Also by this time, the former gallows had been converted into an inn sign that soon became a landmark, and some structural and exterior alterations were made—the first of many over the subsequent years.The earliest known photograph of the George, dated 1867, shows a dilapidated building of several uncoordinated parts: it had expanded over the years to take in buildings on each side of the original medieval inn, and it was considered a purely functional building with no obvious architectural merit.


The George underwent more renovation and was extended further. In particular, an old (possibly 18th-century) free-standing building which stood in the middle of the wide High Street, and which was once used as a candle factory, was acquired by the George's owners and became an annex. It was this building, rather than the main part of the hotel, which accommodated Queen Victoria when she was forced to stay overnight.


The George Hotel has three principal sections, facing east and running from south to north parallel with Crawley High Street. Despite uncertainty over its early history, the building is generally agreed to have 15th-century origins, which are most evident in the northernmost bay. This section has a much lower roofline than the rest of the hotel, although the whole building is two-storey. The northern section is believed to have been a two-bay open hall-house with a parlour wing; their thick wooden roof beams (in the form of crown posts), blackened by smoke, and timber-framed walls survive. The centre section was the south wing of the original building; it would have been the service area to the hall-house, with kitchen facilities and similar, and formed a cross-wing with large joists and a cellar. The rear wall has braces which suggest the former existence of a rear entrance leading to the stables behind. A stone fireplace inside may be as old as the date carved on it—1615—but the inscription is believed to be more recent. None of the exterior is original, although parts of the tiled roof may be. It is laid with slabs of Horsham stone—a local material commonly used on old roofs in the Crawley area.





All photos by Ian Mulcahy. E-mail crawleyoldtown@gmail.com

TWENTY FOUR PICTURES: St Johns Church

St John the Baptist's Church is the oldest building in the town centre, dating from the 13th century, although many alterations have been made since, and only one wall remains of the ancient building.

When Crawley first started to develop as a village in the 13th century, it was in the parish of Slaugham. As the new village was distant from the parish church at Slaugham (St Mary's), several miles south, a stone church was built as a chapel of ease. It is known to have existed before 1267, when it was passed on in a will, and it was still the daughter church of Slaugham in 1291; but by the early 15th century it was referred to as a "free" church and a "permanent chantry". The parish of Crawley was therefore established separate from Slaugham at some point, probably by the end of the 14th century, and St John the Baptist's was regarded as its parish church by the 1540's.
 



 

The first additions to the structure came in the 15th century, when a tall tower was added at the western end, the windows in the nave were enlarged and a rood screen was installed between the chancel and the nave. The nave roof was also rebuilt at this time, and the earliest surviving memorial carvings and stones in the church are also 15th-century.

  



By the 16th century, Crawley's development into a thriving market village meant that its parish was much more important than that of Slaugham, and the connection between their two churches was legally severed. At least 150 people regularly attended the church, but its income was modest and priests frequently moved on to richer parishes and the building fell into disrepair in the 17th and 18th centuries.





Major changes took place in the 19th century. The tower partially rebuilt and heightened by 1814, although the original stone was reused. Some more work took place in 1845, but the greatest changes happened in 1879 and 1880. A new north aisle was added, a porch was built on the north side and the chancel was completely rebuilt.






The church is built of Sussex limestone. The chancel roof is tiled, but the rest of the church is roofed with slabs of local stone. The south wall of the nave is original, although it has some 15th-century alterations; the nave ceiling is also from this era, and features wind bracing and tie beams. The tower, rebuilt in the 19th century, is in three stages and features mediaeval carvings. The pulpit is 17th-century; the altar rails are from that century or early in the 18th. There is some stained glass in the 19th-century north aisle and the east end of the chancel. The oldest internal fixture is the marble font, which is 13th-century.

  
  



  



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All photos by Ian Mulcahy. E-mail crawleyoldtown@gmail.com

SEVENTEEN PICTURES: The Old Punch Bowl



The Old Punch Bowl is a medieval timber-framed Wealden hall-house on the High Street. Built in the early 15th century, it was used as a farmhouse by about 1600. Since 1929 it has been in commercial use—firstly as a tearoom, then as a bank, and since 1994 as a public house. When built, it was one of at least five similar hall-houses in the ancient parish of Crawley; it is now one of the oldest and best-preserved buildings in Crawley town centre.



The present building is known to date from the early to mid-15th century.Its original layout is believed to have consisted of four bays under a single roof of straw, with the centre bays laid out as an open hall and the outer pair each having a staircase leading to first-floor level. The upper floor was jettied, giving an overhanging appearance. A timber skeleton would have been surrounded by walls of wattle and daub containing plenty of clay, which is the main component of the soil in the Crawley area. All of these characteristics were typical of "Wealden" houses—a mediaeval style whose name reflects their prevalence in the Weald, the area of southeast England in which Crawley is situated. A fifth bay, with a crown post roof, was added at the north end in the early 16th century.




By 1600, several barns and similar buildings—all with thatched roofs—surrounded it, and the property had become a farm called Bristows Meads. By the early 19th century the property had become known as Mitchells Farm, superseding its previous name. In the late 19th century, the building was divided into two houses, and was sometimes described as "The Old Houses" in commercial postcards. One of these houses was opened up to form a shop by its tenants.



The condition of the main building deteriorated in the early 20th century as it passed through more owners. In 1929 the main building was converted back into a single entity and saw a wide-ranging restoration which brought much of the old timber-framing into view again. Urgent structural repairs were carried out as well. Later in 1929 an application was made to change its function from residential to commercial use. Significant work was undertaken to alter the building and its surroundings to create a tearoom with a rural ambience. The interior was opened out, a single entrance door was created, the old barns and outbuildings were either removed or integrated with the main building, and 0.5 acres (0.2 ha) of ornamental gardens were planted. The large chimney breast which now dominates the north face of the building was also added as part of these alterations, which took place in 1930. During that year, it reopened as "Ye Olde Punch Bowle" tearoom.

  


It was sold for £2,500 in 1952 to National Provincial Bank, who refurbished it and converted it into a bank branch. The alterations were sympathetic to the building's style: wood from an ancient demolished church at Treyford near Midhurst was used for internal fittings, and the entrance doorway and an extension at the rear were built of local stone. The extension, a large single-storey office, was built in 1963 and looked out over the remaining section of what used to be the tearoom's gardens and ponds.




In the early 90's, the building was converted into a public house and had the name "The Old Punch Bowl" reinstated . Internal and external alterations were made, including the removal of the bank's stone-built extension; this was replaced by outside seating and a patio area.



The Old Punch Bowl was listed at Grade II* by English Heritage on 21 June 1948; this defines it as a "particularly important building of more than special interest" and of national importance.








All photos by Ian Mulcahy. E-mail crawleyoldtown@gmail.com